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35mm/HD
Comparison
Recently digital cameras are getting closer
to the look of 35mm film.
This is due in part to using the same PL mounted cine
lenses as well as a S35 sensor. These new digital cameras like th eRed and the Alexa camera have the ability to record raw data.
The scope for grading RAW footage is better than cameras
which bake in a colour space. Raw data is essentially
"What the sensor saw", this means we can change white balance setting before we process the raw data giving us more more flexability in post.
Red Digital Cinema Camera post production compared
to 35mm film and HDcam
Red Digital Cinema Camera
process
Record to Red Drive or compact flash cards
Copy files direct to computer and import in
to offline edit suite
Begin offfline edit
Generate EDL
Take EDL to scratch suite and relink to redcode files
instantly
Colour grade
Record to film
35mm film process
Record to 100ft roll
Process Film at Lab
Telecine camera negative to tape
Digitize footage in to offline edit suite
Begin offline edit
Generate EDL
Take EDL and original camera negative to Telecine suite
Scan film neg in accordance with edl and conform
Colour grade
Record back to film
HDcam process
Record to HDcam tape or SRW-1 digital recorder
for uncompressed.
Digitize tapes in to offline edit suite at a lower resolution.
Begin offline edit
Generate EDL
Take EDL and original tapes to online suite and digitize
back in to system at 2K resolution, conforming material
to EDL
Colour grade
Record to film |
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